muccamukk: Rikki looking at her reflection. Text: Looking glass World (Marvel: Looking Glass)
([personal profile] muccamukk May. 23rd, 2025 09:21 am)
Rainbow heart sticker What Feasts at Night by T. Kingfisher, narrated by Avi Roque.
Hugo Awards homework for the novella category.

As with the first one in this series, I enjoyed the characters more than the horror plotline, and I don't think it's just because I'm not always that into horror. Read more... )


Rainbow heart sticker Woodworking by Emily St. James, narrated by Saoirse Ní Shúilleabháin, L. Morgan Lee & Emily St. James.
Dramady about being a trans woman in middle America during the run up to the 2016 federal election. Read more... )


The Teller of Small Fortunes by Julie Leong, narrated by Phyllis Ho.
I need to stop trying to read cosy fantasy, or possibly cosy anything (except maybe shifter romances). Read more... )


The Maid and the Crocodile by Jordan Ifueko, narrated by Adetinpo Thomas.
(Awards homework for the Lodestar.)

So I read this without reading any of the rest of the Raybearer series, and a) it stood alone just fine and I was able to follow everything that wasn't an Easter Egg, and b) if you're interested in the original duology (which I probably have on my e-reader somewhere), I would definitely read that first, as this spoils the majority of the plot for the earlier books. Read more... )
astrogirl: (Fifteen and Ruby)
([personal profile] astrogirl May. 24th, 2025 06:18 pm)
Just watched the new Who, and...

Spoilers for 'Wish World' )
([syndicated profile] alpennia_feed May. 24th, 2025 11:27 pm)

Posted by Heather Rose Jones

Saturday, May 24, 2025 - 16:00

If the content in this chapter feels very modern, maybe we need to reanalyze how "modern" the idea of chosen/found family is!

As a separate aside, I'm planning to crank up the content on the Lesbian Historic Motif Project's Patreon account, including special content about new projects that will be for paid patrons only.

In particular, I'm thinking of providing "behind the scenes" progress reports on the LHMP book. If you're interested in this and other premium content and have a dollar or so to spare every month, consider signing up.

Major category: 
Full citation: 

Rouse, Wendy L. 2022. Public Faces, Secret Lives: A Queer History of the Women’s Suffrage Movement. New York: NYU Press. ISBN 9781479813940

Publication summary: 

For anyone who wishes to write sapphic fiction set in the American suffragist era—whether your characters are participating in that community or not—this book is absolutely essential. It provides many varied and concrete examples of women’s lives that can in some way be classified as “queer” which will expand your understanding of the possibilities and their reception.

From a structural point of view, the book’s arguments feel very repetitive, but its strength is in “bringing the receipts” with multiple specific biographical examples for each topic. Usually, for a work like this, I’d add blog tags for each specific individual mentioned, but that would rapidly become unmanageable in this case (in addition to the problem of categorizing each individual as to where they fall on the queer map).

Chapter 2: Queering Domesticity

This chapter looks at the personal lives of some prominent suffragists. It was not uncommon for such women to have been married to men at some point, and they might leverage their status as a widow to deflect concern about domestic partnerships with women. These arrangements disrupted heterosexual norms regardless of whether the women involved considered them to represent a specific “identity.”

Carrie Chapman Catt was twice married, and her second husband agreed to let her do suffrage work. During that marriage, she traveled with and sometimes lived with Mary Garrett Hay, with whom she lived permanently after her husband’s death.

“Queer domesticity” among suffragists also encompassed singlehood and sharing living space without romantic partnership. But this chapter focuses on women in “Boston marriages.” The nature of the partnerships within Boston marriages could be varied—professional, creative, romantic, platonic, sexual, or combinations thereof. The common factor is a long-term committed pairing who shared a home and were viewed by their community as a couple. At the same time, such women might strategize how to present themselves as normative, in order to act more effectively in the political realm.

Simply choosing not to marry was a queer act, especially when motivated by feminist principles, but was available only to those with economic independence. The “new woman” who was identified as a type starting around the 1890s was college-educated, oriented toward a career, and—necessarily at that time—not married. This made them vulnerable to accusations of being anti-family, and were targets not only of anti-suffrage forces but also of eugenicists. This could be countered by framing singlehood as a personal sacrifice (for the sake of the movement). But some embraced a positive rejection of marriage as being an inherently unjust institution, claiming the title “Mrs” without a husband, and advocating against double-standards for married and unmarried women. Such views put them at risk of being marginalized by their fellow suffragists. Others chose singlehood after an unsuccessful marriage.

Alternatives to the nuclear family were common in Black communities, relying on networks and extended family relationships. Angelina Grimké provides an illustrative example. With her father working abroad, she lived with various relatives while attending school and developed a romantic friendship with fellow student May Burrill, with whom she exchanged passionate correspondence, although they later separated. She had several other crushes on both women and men while boarding with a family while continuing schooling. Grimké’s poetry illustrates her passions for women, which may have motivated her decision not to marry. But these passions were generally kept out of her correspondence and published work. Grimké’s political activism was a family affair, working on racial equality with Black relatives and on suffrage inspired by her (white) Grimké aunts. She generally lodged with relatives and never found a permanent partner.

Alma Benecke Sass and Hazel Hunkins may or may not have been lovers at Vassar and when their itinerant lives intersected later (both were traveling activists), but Hunkins felt the need to defend their habit of sleeping in the same bed, and their later correspondence is filled with longing for their time together. Neither married and they lived in all-woman environments when traveling. Their heyday in the 1910s and later was an era when advice literature for girls and young women was beginning to warn against co-sleeping, physical affection, and causal touching—warning of unspecified dangers. Their friendship and support continued despite differences over Hunkins’ more radical activities.

Non-normative domestic lives among suffragists also included overlap with free love advocates, and some of these, such as Margaret Foley, had relationships with both women and men.

Some women, such as Black suffragist and racial activist Alice Dunbar Nelson, used marriage strategically to create the image of heteronormative domesticity, which she used rhetorically to frame suffrage activism as a type of “housekeeping.” But her marriage lasted only 4 years and she had sexual relationships with both men and women, including a long-term, if sometimes stormy, partnership with fellow educator Edwina B. Kruse. Her diaries detail multiple affairs with women through 2 further marriages.

The “Boston marriage” was the most classically queer arrangement among suffragists. On the one side a radical rejection of patriarchy, these relationships were sometimes also strongly conforming to traditional images of domestic femininity, and a denial of sexual aspects to their relationship. Such women took a wide range of openness with respect to their private lives, even while presenting publicly as a committed couple.

This tension between desiring an intense, exclusive relationship while presenting it as a type of friendship could fracture some couples. The image of asexuality was a defense against criticism when they were—to all appearances—married.

For women not in heterosexual marriages, framing their public service as a type of maternal care was another defense. The privilege enjoyed by wealthy white activists could also take the form of policing the movement of radical elements, and discouraging the participation of Black women in order to seek the support of racist whites. One couple who took the opposite tack—actively supporting the inclusion of Black suffragists—was Nora Houston and Adele Goodman Clark, who also leveraged their image as “eccentric artists” to defuse scrutiny of their domestic partnership.

Time period: 
Place: 
adafrog: (Default)
([personal profile] adafrog posting in [community profile] fandom_checkin May. 24th, 2025 06:15 pm)
This is your check-in post for today. The poll will be open from midnight Universal or Zulu Time (8pm Eastern Time) on Saturday to midnight on Sunday (8pm Eastern Time).


Poll #33158 Daily poll
This poll is closed.
Open to: Access List, detailed results viewable to: Access List, participants: 26

How are you doing?

I am okay
18 (69.2%)

I am not okay, but don't need help right now
8 (30.8%)

I could use some help.
0 (0.0%)

How many other humans are you living with?

I am living single
7 (26.9%)

One other person
14 (53.8%)

More than one other person
5 (19.2%)




Please, talk about how things are going for you in the comments, ask for advice or help if you need it, or just discuss whatever you feel like.
Tags:
settiai: (Regina -- meganbmoore)
([personal profile] settiai May. 24th, 2025 07:10 pm)
Well, I'm gifted. There's a Hispanic grocery store across the street, and I walked over there before D&D last night to grab a few groceries that I needed. On the way back, I ended up tripping over my own two feet. I scraped up both legs a fair bit and had to get that cleaned up before the game, but it didn't seem all that bad at first.

I thought it was fine, save for the scrapes, but when I went to bed after the game last night my body let me know that it was worse than I thought. My left leg is bruised quite nicely and my right knee (which was scraped up) was aching. To make it even better, my right ankle - which is the one that I sprained quite nicely about a month ago that's just really properly started to heal - started swelling again a few after I fell. Plus my right knee has also started swelling somewhat today to match the ankle, which is even better.

Luckily, I still have the brace from when I sprained my ankle at the end of April, and I've been trying to soak it as much as possible which seems to be helping some. I'm not worried about it being a fracture this time like I was a month ago, so I'm not wasting the money on a trip to the doctor since there's only so much they can do for a sprain, as many, many, many past sprains have taught me. And while my knee is a bit swollen, it's not bad enough to justify a trip to the clinic on a holiday weekend, at least not yet.

After almost 40 years in this body, you'd think that I would have learned to walk by now. But, no, apparently not. 🙃
muccamukk: Jason Mamoa playing the guitar. (Music: Jason's Guitar)
([personal profile] muccamukk May. 24th, 2025 04:06 pm)
IDK if I shared this before, but here it is again.

Light and Love

All of the fiction below is free.


E-BOOKS (html, epub, mobi, pdf, and xhtml)

Law Links: Novel and Side Stories (The Three Lands). Few events are more thrilling in a young man's life than a blood feud between two villages. Or so Adrian thought. ¶ Torn between affection toward his traditional-minded father and worship of his peace-loving, heretical priest, Adrian finds himself caught between two incompatible visions of his duty to the gods. Then the Jackal God sends Adrian a message that will disrupt his world and send him fleeing to a new and perilous life. ¶ Mythic historical fantasy (secondary world, late antiquity). Reissued omnibus, with new front matter and back matter; no changes to the story texts.

Death Mask: Novel and Side Stories (The Three Lands). For eighteen years, he has survived in an army unit where few soldiers live more than two or three years. Now he finds himself in circumstances where his life is a living hell. Will the soldier who defied death find that life is too great a challenge? ¶ Soldiers, spies, slaves, rebels, assassins, gods, and men who set out to break him . . . The Lieutenant of the Border Mountain Patrol will learn that his greatest test is himself. ¶ Mythic historical fantasy (secondary world, late antiquity). New omnibus, with typos corrected and a new novelette:

  • Light and Love (Death Mask side story): In a world where two people who love each other must enter into the role of antagonists, what will preserve their love? ¶ Tryphena is a maiden. To her brother falls the responsibility of choosing her husband. ¶ Then war comes, and with it arrive a wise goddess of death and destruction, an enemy soldier of uncertain character, and a masked god who can turn evil into good. ¶ Who will rule Tryphena's heart and conscience? And how can she and her brother prevent war from breaking out between them?


BLOG FICTION

Tempestuous Tours (Crossing Worlds: A Visitor's Guide to the Three Lands #2). A whirlwind tour of the sites in the Three Lands that are most steeped in history, culture, and the occasional pickpocket. ¶ Mythic historical fantasy (secondary world, late antiquity). Latest installments:


News )

Ways to offer me a tip, financial or nonfinancial )

Posted by Zach Weinersmith



Click here to go see the bonus panel!

Hovertext:
Locking down the graph joke/obscure word enthusiast crossover crowd.


Today's News:
china_shop: A wide shot of Dixing (volcanic hellscape) with the text "Lava and Melodrama". (Guardian - Dx lava and melodrama)
([personal profile] china_shop posting in [community profile] sid_guardian May. 25th, 2025 10:40 am)
Guardian novel readalong.


Hi, and welcome to this week's installment of the Guardian novel readalong - in this post, we're talking about chapters 5 & 6 of volume 3.

Here are last week's chapters, and you can find all previous discussions in the schedule posts (part 1, part 2, part 3, part 4), or via the !readalong tag.

This week's chapters:

Chapter 5: Zhao Yunlan, Zhu Hong, and Daqing discuss the Record of Ancient Secrets, a book found in the SID library. They go to the Netherworld to investigate its provenance, keeping Leaves of Illusion in their mouths to keep from being recognised as living beings. At a bookshop where they're making enquiries, the little-girl proprietor says Zhao Yunlan bought the book.
Chapter 6: The proprietor says the Zhao Yunlan who bought the book 11 years ago looked the same. She warns him to be careful. A double-faced ghost finds them and shouts that they're alive. They get mobbed by ghouls. They fight back, but they're vastly outnumbered. Zhao Yunlan protects Shen Wei's coat. In desperation, Zhao Yunlan sets the city on fire, and they run for the gates only to find them shut. Zhao Yunlan feels something awaken inside him. The Emissary arrives and saves them. Zhao Yunlan hugs him and tells him to come home.

The corresponding chapters in the Chinese version on JJWXC and the fan translation are chapters 83-84.

Excerpts:

1) Zhao Yunlan questions the name of his order )

2) The Netherworld is dangerous for living beings )

3) Zhao Yunlan is a repeat customer at the Netherworld bookshop )

4) They're accosted by a two-faced ghost )

5) Zhao Yunlan hugs the Emissary )

Questions:

What's your favourite worldbuilding detail about the Netherworld? Should Zhao Yunlan have left Zhu Hong back at the SID? Is Zhao Yunlan only polite to the bookshop proprietor because he wants something, or is he nicer to spirits when they're in their proper place? What is the deal with the travel diary that describes the Huangquan Road?! Do you think Zhao Yunlan carries Leaves of Illusion with him at all times, or did he stock up for the trip? How sad are you that we didn't get a Dixing bookshop in the drama? Any other thoughts about these chapters (and how they were adapted)?

(As usual, these are all just conversation starters - feel free to answer all, some, or none, and to say as much or as little as you like! You don't have to be keeping up with the readalong!)

Our schedule for this round -- please sign up to host a post if you can!
kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
([personal profile] kaberett May. 24th, 2025 11:24 pm)

Analogy of the day: car reversing sensors. Warn of impending, potential tissue damage, as distinct from actual tissue damage. Sometimes panic about A Plant, or The Bike Rack. Sometimes totally fail to miss the six-inch tall bollard that makes things go crunch in a way you don't notice until later.

Book purchase of the day: The Painful Truth, Monty Lyman, recced by a friend as popsci/popmed and one I'd nearly wound up buying yesterday anyway (... and a National Trust baking book to go with it).

Book purchase of the tomorrow, probably: Fitzgerald's Clinical Neuroanatomy and Neuroscience 7th ed (2015), recommended via a NYU med student reading list (Cambridge's all appear to be paywalled and I'm sulking).

Links for further perusal: introductions to the nervous system on Biology LibreTexts and Health LibreTexts.

Reorganisation: possibly I am going to want to rewrite the introduction again (though the words do keep being useful), but crucially while murbling at A I think I have concluded that actually the reason the structure doesn't make sense is that neuroanatomy doesn't want to be the middle section, it wants to be an appendix. But I'll want to, er, know slightly more neuroanatomy before actually settling on that...

The lower floor of the royal residence is guarded at its entrances, for obvious reasons. It houses only servants these days, but in past years, it was fully as active as the upper floors.

Left to right, you will see the former bedchamber of the High Lord, the former receiving chamber of the council, a former service chamber, the former and current royal receiving chamber and dining chamber, and the royal sanctuary. The last requires extended commentary.

inkcharm: (Default)
([personal profile] inkcharm posting in [community profile] fandom_icons May. 24th, 2025 11:49 pm)
CANON: Severance
CHARACTERS: Mark S / Mark Scout (Adam Scott).
ADDITIONAL INFO: 150 Icons, Season 2.
CREDIT TO: [community profile] inkonic


HERE @ [community profile] inkonic
sovay: (Sovay: David Owen)
([personal profile] sovay May. 24th, 2025 03:34 pm)
I did not get out of bed until after noon. Hestia was curled at the foot of it to make sure. It was the first real sleep I'd gotten all week. Outside in breezy contrast to the last couple of days of November for May, we seem to be having a kind of spring-rinsed, sunshowery day. I have eaten a peanut butter granola bar. Hestia has wrapped her tail possessively, temple-cat-fashion, around my mug.

Because the internet is hazardous to the human condition, within the same five minutes I read some evolutionary psychology on atheism and ran into a reminder of the persistence of ace discourse and experienced a similar resurgence of antipathy. Any discussion of atheism predicated on a framework of faith would always fail to find purchase on me, but even when expounded by a self-identified atheist it grinds my gears to find the state explained only in terms of lack: an inability to imagine, a disaffection with religion, a failure to be socialized to it, a decision against it, all negative paths of arrival, no neutrally variant initial condition. Basically just replicate most of that complaint for discussions of sexuality, since if there is one thing the human species does seem to be majority-wired for, it's sloppy othering. It has occurred to me before that I was shielded from a lot of damage by coming at so-called normality from such an angle that not only did it make too little sense to me to feel aspirational, I didn't recognize for years what much of it was supposed to look like. But I'm also just kind of starting to have it in for the alpha privative. Defining by not still lets the thing it isn't set the terms.

WERS has been playing Jesse Welles' "Horses" (2025) on a near-daily basis for weeks now and because I too belong to this conflicting species, I feel that generally I agree with its message of letting go of self-defeating hatreds and divisions in the bigger picture of stellar time and at the same time the government of my country is pursuing policies of active harm to just about everything which seems to limit the degree to which I should be reasonably expected to let down my guard. Now I suppose I get to worry that finding a popular folk song naive means I have just flipped into the last verse of "Love Me, I'm a Liberal."

autobotscoutriella: a green forest with the light shining through the trees (sunshine forest)
([personal profile] autobotscoutriella posting in [community profile] common_nature May. 24th, 2025 05:09 pm)
I accidentally walked up on this lovely heron at the lake today (US Midwest, small man-made lake that just happens to be close enough for me to walk to), and he was obliging enough to stand still until I had a chance to get out the camera! I see a lot of birds out there every year (right now we also have ducklings, a small geese population, and a lot of red-winged blackbirds), but this is the closest I've ever gotten to one of the herons, and I thought this community might like to see him.

a gray and black heron taking flight from a lake

Fairly sure it's a great blue heron, though I'm not a bird-identifying expert.
([syndicated profile] otw_news_feed May. 24th, 2025 07:55 pm)

Posted by xeno

The Policy & Abuse committee (PAC) is responsible for enforcing the AO3 Terms of Service (TOS). To help users better understand the TOS, we’re posting a weekly spotlight series about the TOS and our policies. We’ll also be reading comments and answering questions on this and our other spotlight posts.


AO3 is a home for all fanworks and operates under the principle of maximum inclusiveness of fanwork content. We allow content of any rating, and all kinds of fictional topics, as long as the creator provides basic information about the intensity and type of content that may be present in a work.

PAC handles many different types of TOS violations, including incorrect ratings and Archive warnings. In this post, we’ll discuss the requirements for ratings and warnings as well as provide information on how to report works with incorrect ratings or warnings. We do our best to investigate every report, but incorrect ratings and warnings can take us a very long time to investigate if the report doesn’t contain enough information.

Don’t go looking for things to report.

Please do not start searching for works with incorrect ratings or warnings to report after reading this post. We know that these kinds of TOS violations are a problem on AO3. However, when people deliberately search for works to report, we end up getting a lot of duplicate tickets about works that have already been reported. Every ticket we receive is reviewed by a PAC volunteer, so we only need one report in order to investigate an issue. We know it seems like sites only respond to mass reports, but on AO3, duplicate and mass reports increase the time it takes our volunteers to investigate.

Ratings

All works on AO3 must have a rating. Creators can either select a specific rating (“General Audiences”, “Teen and Up”, “Mature”, or “Explicit”) or opt out of providing a specific rating by applying the non-specific rating “Not Rated”.

Our TOS divides ratings into two tiers: ratings that will trigger the Adult Content notification (“Mature”, “Explicit”, or “Not Rated”), and ratings that won’t (“General” or “Teen”). When you click on a work rated “Mature”, “Explicit”, or “Not Rated”, a banner will warn you that you’re about to access a work that may contain adult content. By selecting the “Yes, Continue” button on the banner, you are agreeing to access a work which may contain adult content. Registered users can disable this notification, which is enabled by default on new accounts.

Works rated “General” or “Teen” are not subject to this notification system. If a work rated “General” or “Teen” contains explicit content that you believe should trigger the Adult Content notification, you can report that work to PAC, and we will investigate whether that work needs to use one of the three higher ratings.

However, PAC doesn’t make any distinctions within these two tiers. This means that we won’t require a work rated “General Audiences” to be changed to “Teen and Up”, and we won’t require a work rated “Mature” or “Not Rated” to be changed to “Explicit”, or vice versa. We defer to the work’s creator(s) for those decisions: the only part we enforce is whether or not the work needs a rating that triggers the Adult Content notification.

Archive warnings

There are four specific Archive warnings: “Underage Sex”, “Rape/Non-Con”, “Graphic Depictions of Violence”, and “Major Character Death”. Any work on AO3 that contains content relating to one of the four specific Archive warnings must be tagged with either that warning or the non-specific “Creator Chose Not To Use Archive Warnings” label.

Creators can always Choose Not To Warn.

The “Creator Chose Not To Use Archive Warnings” (CNTW) label is a blanket warning. It means “Read at your own risk!” or “This work may contain any of the four specific Archive warnings.” If you don’t want to encounter content depicting underage sexual activity, rape/non-consensual sex, graphic violence, or major character death, then you should not click on works tagged with “Creator Chose Not To Use Archive Warnings”.

When you post a work, you can use the CNTW label if you don’t want to apply a specific Archive warning. For example, if you don’t want to spoil a plot twist by adding a “Major Character Death” warning, you can instead apply “Creator Chose Not To Use Archive Warnings” to your work. You can also apply a combination of CNTW and other Archive warnings. If your work contains rape and a major character death, and you want to warn for the former without spoiling the latter, you can label the work with both “Rape/Non-Con” and “Creator Chose Not To Use Archive Warnings”.

If you don’t Choose Not To Warn, then you may need to add a specific warning.

As mentioned above, you can always opt out of applying Archive warnings by instead selecting “Creator Chose Not To Use Archive Warnings”. If you do not select this label, then in the following circumstances, you must use one or more of the four specific Archive warnings:

The “Underage Sex” warning is required on works that depict or describe sexual activity involving characters under the age of eighteen (18). We don’t consider dating activities, like kissing, to be sexual content. Offscreen sexual content also doesn’t need a warning.

For characters that are underage in canon, we do not automatically assume (without evidence) that they are also underage in the fanwork. If there are no indications that a particular character is under 18, we will assume they are 18 or older. When evaluating works, we consider explicit statements of a character’s age as well as contextual clues (such as the work being clearly set in a time period where the character is underage). If you’re worried that a character in your fanwork may be misinterpreted as being younger than 18, you can always specify the character’s age in the tags, notes, or body of your work.

The “Rape/Non-Con” warning is required on works that depict onscreen rape or non-consensual sex. If the work only contains a reference to non-consensual sex, then we don’t require this warning to be applied. Additionally, there are circumstances that are not considered consensual in real life, but don’t necessarily require the “Rape/Non-Con” warning on AO3. For example, we don’t inherently require a “Rape/Non-Con” warning for adult/minor relationships (though we might require “Underage Sex” or CNTW). We also do not require a “Rape/Non-Con” warning for situations that are dubiously consensual, such as the Sex Pollen or Fuck or Die tropes. When in doubt, we defer to the creator’s judgement.

Similarly, the “Graphic Depictions of Violence” warning is only required if the work contains graphic violence that is explicitly shown “onscreen” in the work.

We require “Major Character Death” when the character is both a major presence in the fanwork and they’re dead by the end of the fanwork. We don’t take canon into consideration here – what we’re interested in is whether the character is a major presence in your fanwork. If you create a fanwork centered on a character that dies and stays dead in your work, that work should be warned for “Major Character Death” even if they only appear for one line in canon. If that same character dies before the start of your work, and dealing with the grief of their loss is a major part of the fanwork, “Major Character Death” is also required in this situation.

If your work features a character death and that character returns in a later chapter that is currently posted, then this warning is not required. However, if the character does not return to life until a sequel fanwork, the warning is still needed on the work in which they died. Archive Warnings apply to individual fanworks, not to series of works.

“No Archive Warnings Apply” may coexist with other warnings.

There is also a sixth label in this category: “No Archive Warnings Apply”. The best way to think of this Archive warning is as a placeholder. If “No Archive Warnings Apply” is the only Archive warning on a work, then it means that the work should not feature underage sex, rape/non-consensual sex, graphic violence, or major character death – or if it does contain such content, it is only a brief reference.

However, the “No Archive Warnings Apply” label can be present on a work that is also labeled with any or all of the other five Archive warnings. In that case, the other warning label always takes precedence. PAC never removes any Archive warnings already on a work. We only add the “Creator Chose Not To Use Archive Warnings” label to the work if it’s missing a required warning.

For example, some users may apply a “Major Character Death” warning and a “No Archive Warnings Apply” warning in order to emphasize that while the work may contain Major Character Death, it doesn’t contain any of the other warnings. The presence of “No Archive Warnings Apply” does not negate the “Major Character Death” label on the work – a major character death may still occur in this work.

If both “No Archive Warnings Apply” and “Creator Chose Not To Use Archive Warnings (CNTW)” are applied to the same work, then the CNTW warning is what takes precedence, and the work may contain content relating to any of the four specific Archive warnings. Some users may apply both the CNTW label and the “No Archive Warnings Apply” label for ambiguous situations, or to emphasize that while they don’t think the work contains something that needs a warning, it is open to interpretation. However, you should not assume anything about a creator’s intentions or the severity of content in the work – consider works warned with both CNTW and “No Archive Warnings Apply” the same way you’d consider works tagged with only CNTW or any/all of the specific Archive warnings.

We generally defer to the creator’s judgement.

For borderline cases, PAC will defer to the creator’s judgement. However, if we feel that a work depicts content clearly requiring one of the four specific Archive warnings, we’ll require the creator to either add the warning or opt out by applying the “Creator Chose Not To Use Archive Warnings” label.

Can I use Additional tags instead of Archive warnings?

Sometimes users include warnings in the Additional tags of their work. If the content is merely a reference or offscreen, this is fine. However, for any content requiring an Archive warning, the label must also be added in the Archive warnings category. For example, while you are welcome to include an additional tag of “rape” on your work featuring a rape scene, you still need to apply the “Rape/Non-Con” Archive warning (or CNTW).

Why does AO3 have only four required Archive warnings?

AO3’s warning system is deliberately minimal. When AO3 was created, these four warnings were chosen as a balance between the most common types of content that users wanted a warning for, and what would be feasible for PAC (a small team comprised entirely of volunteers) to enforce in a consistent and fair manner. We know that there are many other kinds of content that you might not want to see, so we encourage you to check out the additional tags, summary, notes, and bookmarks of a work before opening it. However, PAC will not enforce the use of tags or warnings beyond what is required by the TOS.

It’s what’s in the work that counts.

When it comes to ratings and warnings, we evaluate what is in the body of the work. If an author says in their notes that they plan to include explicit sex eventually, but the only chapter posted is a fluffy introduction with no explicit content, then we will not require that the work be given one of the higher ratings. Similarly, if a work carries an additional tag of “X dies at the end” but nobody actually dies in the work, then we will not require a “Major Character Death” warning.

Because of this, please do not report works based on what is in their additional tags or summary. Many creators may have begun works and added additional tags or notes based on their plans for future updates, but plans change, and not all works in progress are completed. Please only report works to us when there is actual content in the work itself that necessitates a rating or warning change.

Ratings and warnings are not promises.

AO3’s warnings and ratings both mean “may contain”, not “must contain”. If you want to rate your fluffy, non-sexy slice-of-life as “Explicit”, you’re allowed to do that. A higher rating means that a work may contain explicit content, not that it must contain such content. Similarly, if you want to warn for “Major Character Death” even though nobody has died, you’re allowed; we don’t ever make someone remove a warning.

What will happen if I get reported for having an incorrect rating or missing warning on my work?

First, we’ll review your work to confirm whether or not your work’s rating and/or warnings are insufficient. If we determine that the rating or warnings need to be changed, we’ll send you an email notifying you to update your tags.

We’ll only ever contact you by email, and only after we’ve already reviewed your work and confirmed that the current rating and/or warnings are insufficient. We will never comment directly on your work or contact you through social media. Please make sure to keep your account’s email address up to date and check it regularly (including your spam folder), or else you may miss our email.

If you don’t update your tags, we’ll change them. For an incorrect rating, we’ll set the work to “Not Rated”. For a missing warning, we’ll add the “Creator Chose Not To Use Archive Warnings” label to the work. We won’t remove any of the warnings that are already on the work.

We don’t ever delete works for having insufficient warnings or ratings. While we do require all works to have appropriate ratings and warnings (as specified in the TOS), it is very rare for us to apply any penalties to a user’s account for insufficient ratings or warnings. We would usually only penalize a user if they undo changes we made or required them to make. A user may also receive a penalty if they repeatedly mislabel their works even after being contacted about similar violations, or for the purposes of harassment.

What should I do if I encounter a work that has the wrong rating or a missing warning?

You can give the creator a heads up by politely commenting on their work and linking to the TOS FAQ or this post. Alternatively, you can report the work to us.

How do I report a work with the wrong rating or missing warnings?

Although we ask that you do not deliberately seek out incorrectly tagged works to report, if you come across a work with the wrong rating or missing warnings while browsing, you can report it using the Policy Questions & Abuse Reports form, which is linked at the bottom of every page on AO3.

Please don’t report more than one user at a time or submit multiple reports about the same user. When reporting multiple works by the same user, please submit only one report with links to each work you’re reporting, so that all information about that user is in the same place.

Please tell us exactly where in the work the content requiring the higher rating or warning is. The best way to do this is to give us a short quote from the relevant scene that we can search for in order to immediately find the content. If you are reporting multiple works by the same creator, please group all the works into one report and provide this information for each work.

If the rating or warning issue pertains to a specific character, please tell us the name of that character as used in the work. If it’s Bert who died, please tell us it’s Bert, so that we don’t spend time trying to figure out if it was Ernie (who was only badly wounded). If you are reporting a missing “Underage Sex” warning, please tell us exactly where the underage sexual content occurs and where the indication of the character’s age is. As a reminder, if there are no indications that a particular character is under 18, we will assume they are 18 or older.

Rating and warning issues can take a lot of time for us to investigate if we’re not given clear information about where the violation has happened. PAC will not act unless we’ve confirmed a policy violation ourselves. If we’re sent a report about a work that is 80,000 words long and the report only says “contains rape”, we have to confirm that there is a rape scene somewhere in those 80,000 words before requiring a “Rape/Non-Con” (or CNTW) warning. If we can’t find it easily, the most likely result is that we’ll reply to you asking you to give us more info – and if you don’t, we’ll close your report with no further action. So please make sure to include as much information as possible when submitting a report.

For example, a report of a work with an incorrect rating might look like this:

Link to the page you are reporting: https://archiveofourown.org/works/00000000

Brief summary of Terms of Service violation: Incorrect rating

Description of the content you are reporting:
This work by USERNAME is rated G but it’s entirely smut from the very first sentence.

If you are reporting additional works, please include all relevant links and other information in your report description:

Brief summary of Terms of Service violation: Incorrect ratings and warnings

Description of the content you are reporting:
This work by USERNAME is rated G but it’s entirely smut from the very first sentence.

Some of their other works also have the wrong rating or warning:

https://archiveofourown.org/works/23456789 is rated T with No Archive Warnings Apply, but it has underage sex onscreen. CHARACTERNAME is 17 (in chapter 2 it says “after his seventeenth birthday party three weeks ago”) and has sex in chapter 4 (starting at “He stepped closer, leaning in…”)

https://archiveofourown.org/works/34567890 has the main character CHARACTERNAME die at the end (search for “She gasped in horror”), but the work isn’t tagged with Major Character Death or Creator Chose Not To Warn.

You can add more details if you like, but this example provides the basic information we need:

  • Who posted the incorrectly tagged work(s): Tell us their username or if the work is anonymous or orphaned.
  • Where we can find the work(s): Enter one URL in the “Link to the page you are reporting” field, and (if applicable) include links to any other violating works in the description of your report.
  • What violates the TOS: Explain why you think the rating and/or warning(s) on each work you’re reporting are incorrect, for example by including a quote from the relevant scene(s). A brief description of the work is fine; you don’t need to be very detailed or quote an entire TOS or FAQ section.

You’ll receive an automatic email confirming that we received your report, and our volunteers will investigate when they get a chance. Please be patient and do not submit another report about the same work. While PAC investigates every report we receive, it can take several months for us to process a report, and not every report will receive a reply.

What if I have more questions about ratings and warnings?

PAC follows a strict confidentiality policy. Therefore, while you are welcome to ask general questions in the comments of this post, we will not give information on specific cases, publicly rule on a work, or update you on the status of a report you have already submitted. Comments on this post that discuss specific works or users will be removed.

If you think you’ve found a work that’s incorrectly rated or missing a warning, or if you want to know whether a particular scene requires a specific rating or Archive warning, please report the work to us as described above. For more information, you can read our TOS FAQ on ratings and Archive warnings.

If you are still uncertain, you can comment below or submit a question through the Policy Questions & Abuse Reports form.

Crap, I really need an icon. This is where I'm at; haven't stopped writing long enough to make myself a damn icon. oy.

The Nature of Enough (8728 words) by Alethia
Chapters: 1/1
Fandom: The Pitt (TV)
Rating: Explicit
Warnings: No Archive Warnings Apply
Relationships: Jack Abbot/Michael "Robby" Robinavitch
Characters: Jack Abbot (The Pitt), Michael "Robby" Robinavitch
Additional Tags: Post-Season/Series 01, Idiots in Love, Secret Crush, Pining, Arguing, First Kiss, First Time, Porn, putting a dollar figure on love, Or not, abbot blows robby's mind, In several ways
Summary:

The job offer came out of nowhere. Centennial Hospital, a tier 1 trauma center in Colorado, wanted him to take over for their retiring chief attending. They'd heard the same rumors as everyone about PTMC—how it'd be taken over, transformed, the ED shut down. Didn't Jack want to get ahead of it and find himself a new gig, head of the department, master of his own fate? And the money, of course. Lots and lots of money.

Jack promptly told them to fuck off.

Tags:
mekare: Smiling Michael with braids (Disco joyful)
([personal profile] mekare posting in [community profile] spacefungusparty May. 24th, 2025 09:18 pm)
This should be a standard phrase: “Tilly‘s snow globe says ’All is possible.’”Read more... )
badly_knitted: (Get Knitted)
([personal profile] badly_knitted posting in [community profile] get_knitted May. 24th, 2025 07:57 pm)

Hello to all members, passers-by, curious onlookers, and shy lurkers, and welcome to our regular daily check-in post. Just leave a comment below to let us know how your current projects are progressing, or even if they're not.

Checking in is NOT compulsory, check in as often or as seldom as you want, this community isn't about pressure it's about encouragement, motivation, and support. Crafting is meant to be fun, and what's more fun than sharing achievements and seeing the wonderful things everyone else is creating?

There may also occasionally be questions, but again you don't have to answer them, they're just a way of getting to know each other a bit better.


This Week's Question: We all probably have multiple WiPs, but which of yours has been hanging around longest, waiting to be finished?


If anyone has any questions of their own about the community, or suggestions for tags, questions to be asked on the check-in posts, or if anyone is interested in playing check-in host for a week here on the community, which would entail putting up the daily check-in posts and responding to comments, go to the Questions & Suggestions post and leave a comment.

I now declare this Check-In OPEN!



musyc: Illustrated black cat on stack of colorful books (Reading: Cat on stack)
([personal profile] musyc May. 24th, 2025 12:21 pm)
Final update on Mr Holmes! He has been officially adopted! His foster mom fell in love with him basically on sight and she and her partner have given Mr Holmes a forever home. I am so grateful that he found a loving family and a comfortable life for the rest of his years.


Picture book readings:
Home is a Wish - Julia Kuo, author and illustrator
Dealing with a big move to a new home, and the worries that come with that. Cute but not memorable. 5/10

A Cat Like That - Lester L. Laminack, author; Nicole Wong, illustrator
A chubby cat and his wanderings around his town. Illustrations were a bit off for me, but I did like the little map that showed the cat's movements. 5/10

Pavlo Gets the Grumps - Natalia Shaloshvili, author and illustrator
Pavlo is a grumpy kid/kitten that doesn't want to play. Mom and friends help with his big feelings. Okay, but nothing special. 5/10

Midnight Motorbike - Maureen Shay Tajsar, author; Ishita Jain, illustrator
I liked the story and setting of this - Amma and daughter take a motorcycle ride through India at night when it's too hot to sleep - but the illustrations were very muddled. Lovely story, not a joy to look at. 4/10

We Are Lion Dancers - Benson Shum, author and illustrator
Lovely book about children watching lion dancers and learning how to do the dance themselves. 7/10

Scamp - Anden Wilder, author and illustrator
Cute story about a little girl who is almost more cat-like than her cat. 7/10

Another Word for Neighbor - Angela Pham Krans, author; Thai My Phuong, illustrator
Gorgeously written, excellent vocabulary, lovely illustrations. This was a winner of a book, where a new family with two kids moves next to an older man who just wants quiet. They make friends and they make pho! 9/10, would definitely buy.

Safe Crossing - Kari Percival, author and illustrator
This was adorable. Environmental education and citizen outreach, plus a diverse set of characters. There is a touch of a sad moment when the unfortunate realities of salamanders and frogs crossing a road gets explained but it's not huge, and treated with compassion. 9/10, would absolutely buy.

Reading goal #9!
Ben Aaronovitch - Masquerades of Spring
If you had set me down and said this is Aaronovitch's Yuletide fic, I would not have been in the slightest bit surprised. This read like a Folly-based Jeeves and Wooster AU, which is not a criticism! It was a frothy book, very enjoyable and fun. 8/10

DNF: Manda Collins - Lady's Guide to Mischief and Mayhem. Five chapters in and I kept picking something else to read, so back it went!

Currently checked out:
Boyd and Beth Morrison, Lawless Land
Evie Woods, Lost Bookshop
yvannairie: :3 (Default)
([personal profile] yvannairie May. 24th, 2025 07:02 pm)

One technology I wish I had access to is freeze drying for the explicit purpose of making treats for myself and nothing else.

But having seen the Technology Connections video on freeze drying, I understand that for now that time is a beautiful dream for the future.

Tags:
The Last of Us: I haven’t been able to bring myself to watch this ep yet. If you’ve seen it, please tell me how gutted I am going to be by it.


Leverage: Redemption: Good ep! spoilers )



Murderbot: Good ep! spoilers )
the_shoshanna: Professor Farnsworth, of Futurama, with a blackboard on which is written his catchphrase, "Good news, everyone!" (good news everyone)
([personal profile] the_shoshanna May. 24th, 2025 10:39 am)
Quick final update: coffee everywhere except at home tasted fine, and coffee at home was vastly improved after we, uh, disassembled and thoroughly cleaned the grinder, which had never been done. So I guess I was just hypersensitive to the buildup of ick after several days away from it? Anyway everything is fine and I did not have COVID and I can enjoy my morning coffee again, yay.
stonepicnicking_okapi: lilies (lilies)
([personal profile] stonepicnicking_okapi May. 24th, 2025 10:29 am)
Found this Youtube channel yesterday. Very cute crafting.

.